Future Echoes -- Where Art Meets Technology

The biennale, themed "Cultural Ecological Reconstruction Amidst Technological Iteration", starts the dialogue between "Heaven, Earth, Human, and Machine" through four core sections: "Connections: Embodied Interaction," "Symbiosis: Digital Education," "Speculation: Ecological Reconstruction", and "Manifesto: Philosophical Inquiry". The first section allows visitors to experience the connections between humans, machines, and the world through interactions. The second section focuses on promoting the coexistence of humanities and technology through digital education. The third section encourages visitors to speculate on how technology and environment can interact. The final section prompts reflections on the values and ethical boundaries of art-technology integration.

HANGZHOU, China, 28/10/2025 (informazione.news - comunicati stampa - arte e cultura)

The biennale, themed " ", starts the dialogue between " " through four core sections: " ," " ," " ", and " ". The first section allows visitors to experience the connections between humans, machines, and the world through interactions. The second section focuses on promoting the coexistence of humanities and technology through digital education. The third section encourages visitors to speculate on how technology and environment can interact. The final section prompts reflections on the values and ethical boundaries of art-technology integration.

In the exhibition hall, the stands tall, connecting the heavens. The , co-created by Liu Yihong's team at the CAA and researchers from the Chinese Academy of Sciences, builds on empirical studies of newly discovered sauropod fossils from Early Jurassic Yunnan. Through fieldwork, μCT scanning, stratigraphic analysis, numerical simulations, and algorithmic imaging, the team translates paleontological "hard data" into perceptible "visual spaces."

The " " project represents a collaborative effort between Zhejiang Laboratory and global partners to build space-based computing infrastructure. The , a virtual simulation and interactive installation created by the School of Innovation & Design of the CAA and the Chinese Academy of Sciences, represents an advanced, multifunctional piece of deep-sea exploration technology. The exhibition also features pioneering works by artists from around the globe. , a new media artist from MIT's Media Lab, presents , where real-time audience gestures, sounds, and facial expressions are captured to generate abstract dynamic graphics. In  , Finnish artist 's work, a 35cm stainless steel ball moves perpetually along a circular stainless steel track, powered by gravity and friction. The exhibition will run until December 18 .

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